Thursday, December 27, 2012


I may be the co-publisher and editor of a film magazine that leans toward horror and the fantastique, but given what they so often are, I generally steer clear of today's horror franchises, which aren't particularly representative of the special thrills I come to the genre to enjoy. This (it's 10 years old already?) is the only film in the Final Destination franchise I've seen, and I watched it in preparation for my interview with Quentin Tarantino, who included it on a recently compiled list of his Top 50 Favorite Movie Sequels (see VIDEO WATCHDOG 172). Though it didn't make me want to seek out the others in the series, I thought it was well-constructed entertainment -- gruesome TV for the big screen, so to speak -- and I particularly admired the thorough (and thoroughly nasty) planning that went into the elaborate design of its show-stopping "chain reaction" highway accident sequence. Mario Bava fans should particularly give it a look; not because of any instances of garish lighting, but because it's essentially a reworking of his BAY OF BLOOD (aka TWITCH OF THE DEATH NERVE, 1971) -- except the "13 characters, 13 murders" concept all happens in the early part of the film, with the balance of the film concerning Death's pursuit of those occupying the next ring of the ripples sent out from that opening catastrophic scything.

Viewed on Cinemax.

1 comment:

  1. I've always been fascinated by the franchise, which at its best plays out as Grand Guignol Looney Toons...which is also its weakness. I don't think any of them completely nailed a solid balance of tone. Also, each movie has a problem matching the delirious intensity of the first act set pieces.

    That said, the first one is the best movie (as a whole), the second one's daisy chain of mayhem is easily the best inciting incident, the third one is kind of lazy and pretty much unwatchable, the fourth one comes closest to being the peak of the series (of finding that balance of horror and pitch-black humor) and the final final destination [snerk] wraps it all up with a pretty good (if not very well-executed) punchline to the franchise.

    They never do fully explore Tony Todd's character, but the implication that he's the personification of Death kind of eliminates the need to take the narrative arc there.